What a relief – it now looks like a human being. At this stage I am wanting to create a convincing skull and bone structure in the portrait. We decide that we want the clavicles and a hint of the shoulders, as if in an arabesque. This keeps the balletic feel. Fortunately Jennifleur is patient and happy to adopt any pose, regardless of the discomfort. I am beginning to really like this pose as it highlights her elegance and gracefulness. Working with the head turned and tilted is certainly tougher – on the sculptor and the poor model.